
B、文创设计 Cultural and Creative Design
C、时尚设计 Fashion Design
D、水墨艺术 Ink Art
E、实验创作 Experimental Creation
征集主题/Theme
1、桐乡主题 Tongxiang Theme
2、自由主题 Autonomous Proposition
面向全球征集作品。凡从事艺术、设计工作的个人、机构、专业院校师生,其创作作品均属征集的对象。
投稿要求/Submission Requirements
1、投稿时间:
2023年8月10日—10月31日截止。
2、作品提交:
作品需提交电子文件和参展报名表,设计者和机构每类限交3件(套)作品。
3、电子文件:
(1) 作品尺寸100cmx70cm,RGB模式,JPG格式,300dpi。
(2) A4尺寸29.7cmx21cm,RGB模式,JPG格式,300dpi。
凡有效果图或实物照片投稿者,可按100cmx70cm和29.7cmx21cm规格排版,以竖版为准。
4、文件命名方式:征集类别+作品名称+姓名+国籍+邮箱。作品命名方式:组别+作品名称+姓名+国籍+邮箱。
国内投稿:(链接直接投稿)
https://docs.qq.com/form/page/DSWdtdmhWb2trSUxM
国外投稿:
将投稿作品电子文件和参展报名表(附后)打包发至组委会
inkdesign2023@163.com
(备用邮箱)
如以上投稿渠道均不能完成投稿,请将作品投递至备用邮箱:
inkdesignby2023@163.com
评审方式/Judging Method
1、评审团由国内外专家组成,评委届时公布。
2、展览经过评审,评审结果在相关媒体上择期公布,未入选者不另行通知。
奖项设置/Award Setting
专业组:金奖3名、银奖6名、铜奖10名、优秀奖50名、入选作品若干名。
学生组:金奖3名、银奖6名、铜奖10名、优秀奖50名、入选作品若干名。
(作品不重复评奖,最终评委根据作品质量有权适当调整)
组织机构/Organization
主办单位
桐乡市文化和广电旅游体育局
桐乡市文学艺术界联合会
浙江传媒学院桐乡研究院
承办单位
首都师范大学视觉设计与教育研究所
国际设计资源联盟[IDRA]
浙江传媒学院桐乡研究院时尚文化产业研究所
特别协办机构
嘉兴圣米罗文化传媒有限公司
海宁市中天广告传播有限公司
协会支持/Associations Support
北京设计学会、韩国设计学会、澳门设计师协会、中国包装联合会设计委员会、中国印刷技术协会创意设计专业委员会、全国文创设计产业联盟、创意中国设计联盟、深圳市平面设计协会、广州平面设计师联盟、南京平面设计师联盟、苏州平面设计师协会、郑州平面艺术设计协会、湖南省设计艺术家协会等。
策展团队/Curatorial Team
学术顾问:
王敏
总策展人:
李中扬、徐伟、杨超
执行策展人:
张通、李僮、杜卫民、王佳、谢崇桥、赵宗强
联合策展人:
许力、彭军、王赟平、梁蓝波(中国澳门)、Patrycja Longawa(波 兰)、Hitoshi Miura(日本)
英文翻译:
闻萃、张岚
策展助理:
余挺芳、郑羽瑄、崔浩东
展览声明/Exhibition Statement
1、参展作品的传播、展览、刊登、出版等使用权归组委会所有,组委会在使用时对其作者予以署名。
2、参展作品须原创,不得有侵犯任何第三方著作权、其他任何知识产权或专利的情况。如发现不符合条件者,组委会有权在展览任何阶段取消其参展资格,收回证书,由参展者自行承担相应后果和责任。
3、本规则解释权归主办单位。
联系人:郑羽瑄、崔浩东(北京)、赵宗强(浙江)
联系电话:15541134543、17862997606(北京)、18506829908(浙江)
《风雅桐乡-2023桐乡当代国际水墨设计作品展》组委会
2023年8月10日
Tongxiang-2023 International Exhibition of Contemporary Ink Design Exhibition Recruitment Letter

At the center of the Golden Triangle (formed by the three renowned cities of Shanghai, Hangzhou and Suzhou ), and Hang-Jia-Hu Plain, north of Zhijiang, lies the city of Tongxiang, which is dotted with picturesque landscapes and which has many affectionate nicknames such as the land of fish and rice, the city of silk. It is also rated in a national poll as a clean city and Garden city.
Tongxiang boasts a rich cultural heritage.
Majiabang Cultural Heritage Site and Liangchu Cultural Heritage Site are vivid
manifestations of the achievements of the Neolithic age. Canals, phoenix trees
and ancient villages are not only iconic scenes but the childhood memories of
generations of writers and artists. The city has a network of tourist
attractions and in order to enhance the city’s image, Puyuan Town and Wu Town
are approved as the first batch of provincial models to showcase the scenic,
historic, artistic and cultural elements of Tongxiang. It is a link between the
past and the present. It is a platform for further collaborations. It is a poem
telling stories of human endeavor. It is a portfolio depicting continuity of
traditions and transformation from a small town to a fashionable and trendy
city.
Chinese ink artwork is a unique yet multidimensional expression of the combination of nature, art and beauty.The design and layout of Chinese ink artwork is a portrayal of the local life, from which the viewers can get a glimpse of the people’s lifestyle, and even the ambitions, beliefs and values. The effort that goes into creating Chinese ink artwork is an embodiment of Chinese philosophy which treasures both critical thinking and innovation. It is a quest for development and practice, a driving force towards an attainable future from indigenous angles.
30 years ago, Tongxiang was municipally promoted from a town to a city. This year marks the 30th anniversary of her cityhood and the completion of the Great Canal Park. To celebrate these historic events, the 2023 International Exhibition of Contemporary Ink Design is launched to show to the world the innovative ink designs as well as the links between cultural empowerment and industrial upgrading, Tongxiang waterways and cyber blue oceans. Meanwhile, the Exhibition is a telltale illustration of the south-of-Yongtze Riverine city’s canal culture and art and literature heritage. Tongxiang is adopting the “one core-two poles-multiple sites” approach for the development of cultural industries with the aim of creating a manufacturing base, a picturesque riverine city, historic tourist attraction and an intelligent city. Tongxiang is a city of elegance, a magnet for talents, a place to get lost in, so welcome to the Exhibition and take a stroll around the city, and get immersed in its history and culture, beauty and grace.
/Organisation
Supervised
by:
Jiaxing Federation of Literary and Art Circles
Sponsor:
Tongxiang Culture, Radio, Television, Tourism and Sports Bureau
Tongxiang Federation of Literary and Art Circles
Tongxiang
Research Institute, Communication University of Zhejiang
Professional
Committee on Visual Design of Beijing Design Society
Institute
of visual design and education, Capital Normal University
International Design Resource Association [IDRA]
Tongxiang Research Institute of Fashion Culture Industry, Communication University of Zhejiang
Special Co-organiser:
Jiaxing San Miro Cultural Communication Co., Ltd
Haining Zhongtian Advertising Communication Co., Ltd
Beijing
Design Society, Korean Design Society, Macau Designers Association, Design
Committeeof China Packaging Federation, Professional Committee on
Creative Design of China Printing Technology Association, National Federation
of Cultural and Creative Design Industry, Creative China Design Confederation, Shenzhen
Graphic Design Association, Guangzhou Graphic Designers' Alliance, Nanjing
Graphic Designers' Alliance, Suzhou Graphic Design Association, Zhengzhou
Graphic Art and Design Association, Hunan Designers Association etc.
Sohu.Com, QQ.Com, 163.Com, Ifeng.Com, Toutiao.Com, Visionunion.Com, Art & Design, Packaging Engineering, Design, Package & Design, Art of Design, Hunan Packaging, Huanghe Tu gejinbu, Tuzhichu Design Studio, Liuliwei Design Studio, Hi New Horizon Poetic Design etc.
Call
for entries from all over the world. All individuals, organisations, teachers
and students of professional colleges and universities engaged in art and
design work, their creative works are the object of the collection.
THE END

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