作品Typeface是一场视觉上的时间游戏，Type与Face构成了这场游戏的主角，游离在实时动态+交互的平行时空概念之中。通过面对镜头下的我相，任由你去掌控字面的时空变化，而落入时空的字面，到底有多少可能性，都由你我来定义。这场视觉时间游戏从未间断，而作品更是一种“现在进行式的共创”状态，需要观众介入作品最终完成体验交互。自展出之始，就在后台存储一张张命名为Typeface.jpg的序列帧，而Type和Face随着不同的“我相”层与其输入不同的信息层，实时动态呈现成倍数增长的双重变量，使得最终作品形成庞大数量的逐帧Typeface数据库，呈现视觉时空之下字面亦众生、千人亦千面的字面交互实验场。

In the "Diamond Sutra", the "self-phase, human phase, sentient beings, and longevity phase" reveals the "noumenon, object, time, and space", and the root of the "four phases" is the "self-phase". In the face of an increasingly complex world, we are more obsessed with the view of defining ourselves in the external environment, instead of controlling ourselves from the "ontology". How to change from "ego grasping" to "holding self" is what we need to continue to think about as we grow up Ask yourself questions.

The work Typeface is a visual game of time. Type and Face constitute the protagonist of this game, floating in the concept of parallel time and space of real-time dynamics + interaction. By facing the face of me under the camera, you are allowed to control the literal changes in time and space, and the possibility of falling into the literal of time and space is defined by you and me. This visual time game has never been interrupted, and the work is a state of "now-on-going co-creation", requiring the audience to intervene in the work to complete the experience interaction. Since the beginning of the exhibition, serial frames named Typeface.jpg have been stored in the background, and Type and Face, along with different "self-face" layers and input different information layers, dynamically present a double-fold increase in real time. Variables make the final work form a huge number of frame-by-frame Typeface databases, presenting a literal interactive experimental field where literal beings and thousands of people are also thousands of faces under visual time and space.

作者: 陈沛涛

中国美术学院设计艺术学院-硕博-艺术设计

导师: 毕学锋

作品类型: 平面

作品材质: 屏幕